April 21 2025
On the left Wall: Nature Morte (Swede Fleeing Fire) & Nature Morte (Bear Attack), 2025, casein on paper, dims variable. Old Testament Daycare, 1996-2000, enamel on papier mache, 20.5 x 18.75 x 2.5”
On the Ground: POW Carpet, 2020, housepaint on canvas, 154x83”
On the Right Wall: Planned Community, 2004 oil on unstretched canvas, 120x170”
Image courtesy of Unveil Gallery
Spoiler Alert: Order, Chaos, and Everything in Between
Unveil Gallery at Irvine is thrilled to present Jean Lowe’s solo exhibition, opened April 18.
Featuring Jean Lowe’s Solo Exhibition at Unveil Gallery Reporter Rachel Wang Editor Yuchen Hou & Edgar Zhang
Bouquet in Shallow Basket, 2024, casein enamelon papier-mache, 14 x 18 x 14”.
Image courtesy of Unveil Gallery
As Irvine’s first gallery dedicated to showcasing contemporary work by artists exploring new visual languages, Unveil Gallery aims to bring the most thought-provoking and boundary-pushing art to the local community. For this exhibition, the gallery is partnering with Jean Lowe to present a series of works on paper and small-scale sculptures, centered around a Landscape Painting, Planned Community.
Jean Lowe is a California-based artist who has lived, studied, and created across the state for many years. Her work has been supported by a number of notable grants and fellowships, including those from the Pollock-Krasner Foundation, the California Arts Council, the Western States Arts Federation/NEA, and the San Diego Art Prize.
Surrounded by California’s natural beauty and working under its warm sun, Jean Lowe’s artistic practice reflects the environment around her. Her works are vivid, bright, and filled with imagery drawn from consumer culture. What makes her art truly compelling is the way she places culturally iconic and emotionally charged symbols at the heart of her compositions, using them to offer sharp, often witty critiques of modern life. At first glance, the vivid scenes shaped by her brushwork and color feel remarkably alive, bringing a vibrant presence to the pristine white cube of the gallery.
But as viewers draw closer, by reading the letters, tracing the petals, and noticing the intricacies in a carpet’s pattern, a more complex message begins to emerge. Lowe invites her audience to engage with social and psychological undercurrents that lie just beneath the surface.
On the Wall: Planned Community, 2004 oil on unstretched canvas, 120x170”
On the Ground: POW Carpet, 2020, housepaint on canvas, 154x83”
Image courtesy of Unveil Gallery
So what is the plot twist Jean Lowe invites us to confront? In Planned Community, she brings to light two intertwined threads rooted in suburban life—one centered on the individual, the other on our place within the larger ecological and cultural world.
“This large-scale oil painting is the center of the exhibition, an important anchor which connects all the other works exhibiting in this show”, says Lorraine Han, the co-founder of Unveil Gallery. Although Lowe originally drew inspiration from scenes in other California cities, it’s striking how closely the planned community she depicted resembles the rapidly growing city of Irvine. This unexpected alignment led her to revisit Planned Community as a conceptual anchor and to develop a new body of work, which ultimately became the exhibition Spoiler Alert.
Unlike the somber, hazy tones often seen in Dutch landscape paintings, Jean Lowe approaches her subjects with a distinctly American lens. Her landscapes are open, bright, and filled with everyday suburban elements. By weaving residential development into her compositions, she explores both harmony and tension between human construction and nature. The city appears as a new form of life, gradually overtaking the natural scenery once depicted in European classical landscapes.Through her brushstrokes, the transition from landscape to a more gridded, planned system becomes fully visible. This creates a contemporary vision of reality that continues beneath an endless sky, situated within the vast continuum of time and the world.
If Planned Community offers a radiant meditation on growth and transformation, Lowe’s smaller works deliver a sharper, more ironic commentary on the chaos that unfolds between individuals and the social systems they inhabit. Much like the vanitas still lifes of the Dutch Golden Age, these intimate pieces take the form of everyday consumer objects, printed ephemera, or advertising materials. Beneath their familiar surfaces, however, are layered reflections on mortality, culture, and human choice. In works like Nature Morte, text and image combine to question not only what we value, but also how we choose to live.
Self Help (Rekindling Your Passion), 2016, casein ink-jet print on poly-metal, 54x37.5”
Image courtesy of Unveil Gallery
Lowe is a master of juxtaposition. By placing unrelated things side by side and layering in references from art history and popular culture, she builds visual narratives that are equal parts clever, funny, and disturbing. What does it mean when fresh flowers share space with headlines? When fading paper certificates praise a life? When books on a shelf lose their color with time? What do we do with life’s little moments? How do we embrace death? And what do we really hope for, once the ending is revealed?
With works that are as poetic as they are provocative, Spoiler Alert invites you to take a closer look,to see Jean Lowe’s reflection on life, and perhaps recognize your own story reflected back in unexpected ways.
Here’s the deal—spoiler alert, it’s all about lives within the order and chaos of a vast environment.
Psychology(Happiness is...), 2017, casein ink-jet print on poly-metal, 54x37.5”
Image courtesy of Unveil Gallery
Featuring Jean Lowe’s Solo Exhibition at Unveil Gallery Reporter Rachel Wang Editor Yuchen Hou & Edgar Zhang
People also read…
Interview
April 11 2025
Her Hair
Identity Through Strands: Hair as Root, Legacy, and Cultural Memory
Bound (Back side left detail) 5ft x 17ft, Chinese ink on Italian Alcantara fabric with steel chains, 2025.
Article
March 28 2025
Dream/Bug:
An Echo Eroded by Light and Shadow
Tracing Time’s Residue in Cyanotype’s Delayed Emergence
Photograph by Zabrina Deng